Anastasija Ropa makes some very welcome comments on my chapter on the Galloway nag in “Horses in Premodern European Culture”.
Speculating on the origins of the Galloway horse is a process that is fraught with the issues besetting any contemporary breed enthusiast, since the whole concept of a “breed” is a very modern one and it probably did not cause medieval horse breeders any sleepless nights. A good horse was a good horse, valued for purpose rather than ancestry, and described by gait, or height, or even color or size, but principally by function.
Miriam Bibby, ‘The (Galloway) Horse and His Boy: Le Roman Des Aventures De Fregus and “The Best Breed in the North”?’
in The Horse in Premodern European Culture, ed. A. Ropa and T. Dawson
What do Fregus, Robert the Bruce, and Shakespeare’s Pistol have in common? These disparate individuals, who are either completely fictional (as Talbot’s characters) or partially fictionalized (Fregus is based on a an actual Scottish ruler, but was turned into the title…
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